![]() But learning to perceive light generally takes a great deal of time, and only years of practice will lead you to this skill.īeginning photographers can generally only say if there is light, or there isn’t. You can get the rules of composition under your thumb too via various exercises, and after a time, you’ll apply them automatically. In modern photography, this is especially true for exposure, since today’s technology makes it so much easier to determine exposure than before. Now, you can study and master the various rules of composition and exposure fairly quickly. It’s the most fundamental photographic skill, but also the hardest and most time-consuming to learn. Knowing how to see the light is a key trait of a photographer. This photo was taken without hard, detail-drawing light. I took it under a cloudy sky, and so I had to wait a few dozen minutes for a crack in the clouds to appear so that the sun’s rays would shine through it.Ĭanon EOS 7D, EF-S 15-85/3.5-5.6 IS USM, 1/50 s, f/16, ISO 100, focal length 15 mm (24 mm equiv.) The same subject as in my photo, for comparison. ![]() I took my picture of this Dresden opera house around dawn, and so it was lighted at about a 45° angle from the right. Objects with different hues reflect light of different wavelengths and frequencies. Its colors are defined by the wavelengths and frequencies of the reflected light. Dark objects absorb more part of the light and reflect less into the camera, while bright objects reflect more light. So without light, not a single picture could ever be taken.Ī photographic image is created by capturing various amounts of light reflected from the various parts of a scene. Just as painters brush paint onto a canvas to create a picture, photographers paint an image by capturing light particles (photons) on a light-sensitive medium (film or a digital sensor). Even the word “photography” tells us this it was formed by joining the Greek words for light and drawing. ![]() Work with light is the most fundamental element in work with photography. The right lighting lifts a photo up out of the dull gray average, while a badly lighted picture, no matter how beautiful its subject, will never impress. An eye for light and perfectly handled work with natural and artificial light sources are the key prerequisite for a good photo.
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